Friday, 14 December 2012

2nd Tango Diferente Research Week [2013]



The next TANGO DIFERENTE Research Week will take place from the 1st to the 7th of July 2013 at "PONDEROSA Movement and Discovery" near Berlin (Germany). For more info on the location please go to a post below titled 'Where is Ponderosa?'.

Please note: Arriving on MONDAY the 1st of July (after lunch) and leaving on SUNDAY the 7th of July (after breakfast)

 
-->
Some participants feedback:

“Interesting styles of ideas and teaching”

“I love how the ‘all classes included’ idea works in practice that supports the exchange of ideas totally”

“Many different possibilities for dancing…thanks!”

“Different ways of looking at tango and other dances”

“Connecting contact improvisation and tango in a single discourse rather than treating them as distinct episodes”

“It takes lots of guts to propose such an event and lots of talent to make it as successful as it has been! Thank you Adriana!”

“New inspirations to feel and to expand the tango mood to somewhere else….”

“Great, inspiring, highly professional workshops. Open playful attitude”

“I feel full with new experiences and new thoughts”

“I really enjoyed the new experiences and meeting so many interesting people from all over Europe and the world! The hospitality at Ponderosa was wonderful”

THANK YOU to all of you who made the week so wonderful!!!

This year there will be more time for dancing and labs, therefore less led workshops.

As well as the OPEN DANCING (jam and milonga running at the same time -yes, it is possible!)  WORKSHOPS and CLASSES there will also be two other formats:

OPEN TEACHING: a workshop made by its participants! In a 2 hours session any extra teacher or participant can take up to 30 minutes to propose a topic / exercise. This is supposed to be a sort of informal laboratory: best not to prepare anything and let the moment decide! During the session, you just raised your hand and say: “I would like to start!” or “I would like to be next!”.
There will be 3-5 Open Teaching opportunities.

One2One: space to work independently on a specific topic with another person or a small group of 3-4. We can also make a board where people can post what they want to work on so you can find each other! These sessions will mostly run parallel to the Open Dancing and the Open Teaching.  

Please note: the OPEN DANCING this year will also run in the big studio in some afternoons! 

PROGRAMME for 2013

Special guest: EDWINE FOURNIER (Paris)

The ROYALTY of the tango-contact fusion!!
Edwine Fournier is a rare expert in the field of the fusion of tango with contact improvisation, having offered regular weekly classes in Paris since 2000 [yes, that is 13 years ago!!], creating a group of enthusiasts which exist to this date. In addition, she presented her dance-theatrical shows around France and organized several workshops for guest teachers. Arguably, she brought the seeds of her fusion into Buenos Aires at a time when Tango and CI was not yet thought of to be merged. She is leading a laboratory on tango and contact mixed score with a research group of dancers, Collectif Tangible, in order to build a practical space where we can play with the mixed material. The laboratory is based on the practice of the underscore (originated by Nancy Stark Smith) to create an organic and social dance in a specific space.

Edwine will provide the group with delicate directions from attentive observation rooted in knowledge and experience of Tango and Contact Improvisation separately and also combined.


Workshop and/or class teachers:

Astrid Weiske (Berlin)    http://www.tango-astrid.de/
Gabriele Koch (Wuppertal)   www.dance-fields.de
Tobias Funke (Bremen/Hamburg)    www.2tanz.de

Extra teachers:
Enrique van Doezelaar (Amsterdam)
Karine Grenier (Paris) http://tangible.free.fr
Natascha Russo (Hamburg) www.2tanz.de
Ralph Byrszel (Heildelberg/Frankfurt) www.mushin-aikido.de
Sonja Armisen (Munich) www.tangofusionclub.com

See a fun video by Tobias & Natasha here: http://vimeo.com/63894780


This year I have developed a criteria for the teachers who are leading workshops at Tango Diferente (does not apply for Extra Teachers). It was based on the necessity to create a clear focus, on the feedbacks collected and on my own experiences as practitioner and events organizer.

Here it is:
 
- a demonstrable tango argentino knowledge & dancing experience (min 5 years)
- a demonstrable contact improvisation knowledge & dancing experience (min 5 years)
- a  demonstrable experience of mixing tango and CI (min 5 years)
- a demonstrable knowledge of another movement discipline or concept and its mix with tango (min 3 years)
- a demonstrable effort to create dancing and teaching opportunities for the contact tango fusion community and beyond (min 3 years)




HOW TO BOOK

RESEARCH WEEK PASS (all inclusive of classes, workshops, dancing):

Early bird: €240 (until 14th of May)

€300 (after the 14th of May) ****YOU CAN ALSO PAY AT ARRIVAL!! Please send me an e-mail****

Shorter stay possible for €45 per day

You can register by sending the relevant fee to the account number below and by sending an e-mail to adriana@adagioconbrio.co.uk.

Bank: HSBC (United Kingdom)
Name: Adriana Pegorer
International Bank Account Number (IBAN):
GB69MIDL40171601510010
Branch Identifier Code (BIC):
MIDLGB2103S
Sort Code: 40-17-16
Account Number: 01510010
Address of Bank (in case is requested):
HSBC Bank, 94 East Street, Chichester, West Sussex PO19 1HD
Please state 'PONDEROSA' in the Payee's reference box.

_______________________________________________________________________
You will need to pay for food and accomodation (tent and shared accomodation) directly to Ponderosa at your arrival.

If you require a guesthouse room, private guestroom or a cabin you will need to book and send a deposit for it to secure the booking and pay the rest at your arrival.
Contact them at: --> info@ponderosa-dance.de
Their website is: http://www.ponderosa-dance.de/en/about-ponderosa.html

These are the prices for food and accomodation:
Food: €17 per day
Accommodations (per person and day):

    Tent or Ponderosa Open Sleeping with Mats: 6,5
    Ponderosa Guesthouse Room (3–4 people): 10€
    Private Guestrooms single/double: 22€/34€
    Cabin single/double: 16€/24€
    **Children up to 14: 50%, Babies free**




 













<<<This page will be updated and details may change!>>>
 

Why not join us on Facebook? https://www.facebook.com/groups/324026364276723/

kind regards,

Adriana Pegorer
Tango Diferente Organizer




BEWARE: THIS IS NOT A TRADITIONAL TANGO FESTIVAL!! IT IS ALSO NOT A NEO TANGO OR NUEVO TANGO FESTIVAL... INFACT, IT IS NOT A FESTIVAL AT ALL!!  It's a RESEARCH WEEK!!




EXTRACTS FROM TANGO DIFERENTE 2012 FINAL DISCUSSION:
  -->
“I did not dance tango before and it was a new experience. First of all, thank you everybody it was really nice to get into tango because it was not scary, it was very open, because I come from CI and contemporary and I felt I could do things and do mistakes so I can do something wrong or do something funny and it’s ok and it was really nice. Another thing is that I felt that this week was very much of a research week because it has some really nice ideas and open questions left that I can bring into what I will be doing later on, what is tango and what is not tango and what is fusion. Also the nice relationship between teachers and yourself and organizers and the participants was very much on the same level, bringing stuff together and sharing and asking stuff and telling things. I was sceptical about having so many teacher at the beginning, like this person does only one class, what can I get from it in such a short amount of time, but I think it really worked after all because everybody was speaking about the same thing from different perspectives, but I felt that things slot into places and one class would prepare for the next class so you could bring things in and mix them up… it was not like all these different classes, but people talking about the same thing which I think was really nice.”

“I got more and more into it and I found it, very similar as you, very generous, I felt like I can be myself and especially that I can bring my dance - contact improvisation and dance improvisation- into this context and be with you and not like ‘what are these people doing jumping around in our beautiful milonga??!!’ getting also the feedback that people found interesting what I am doing and I have learnt how differently tango people react to my way of leading or following. For me it was really a research and I got totally interested in figuring out what is the thing in tango that is different from CI but still dealing with the weight and with the relationship and the communication, and you got me through this event and I am totally willing to come again and again and again…”

“I think in tango people react….this whole leading thing is much more precise and clear sometimes. If somebody is leading they are really leading, whilst in contact most of the time I feel that I really do not know who is leading… I am kind of mhh yeah oh, maybe not…”

“I absolutely loved the week, it has been fantastic and inspiring.”

“yesterday I was thinking about the ‘global underscore’ and I thought that the atmosphere was very open  and there were people dancing alone… I was also having a lot of space so everydboy could move along, there were contact people dancing, and people dancing along, a really beautiful atmosphere. I felt a change in social dynamic”

“I had a question about Tango Diferente …if I attend a CI festival  for me, I am complete, I know when I leave I am not the same person. It trasnforms me and open things.. when it finishes I am not the same. Sometimes, when I go to a festival of tango I begin in a mood and I finish at the same or sometimes…worse! So when Adriana said that this it was not going to be a festival but a research, it already changed my mood. It is very important. And I am very happy to say that at the end of the week, I am not the same as I arrive.”

“At milongas there are so many rules and I am so busy sometimes with the external of how people look, I judge, I feel judged, I think ‘oh he is not dancing with me’…there are so many things, projections, which I do no experience in contact very often, so I thought I should stop tango. But now that I came here I feel like I don’t need stop! I just can change the way I perceive, or choose with whom I want to share this work and this is very nice. And I also feel my way of dancing has changed, I felt my steps were becoming longer and I was like ‘wow!’ and it was a really great feeling and I feel more grounded. And when I was dancing yesterday I felt more freedom in experimenting, also as I leader I felt like flying. And I want to thank all teachers because I can take something home from each of you “

'something that I have found very positive here was that the classes were all inclusive …and for all levels. I wish that if this event will grow, that this approach will be kept. Even if the organizing will become more challenging, that this openness can be kept – with a small group it was easy, but if the group grow the organizer may feel like close something and I wish this never become necessary. ”

“I really would like to thank Adriana for everything, and especially for inviting Meri Lao. Meri Lao is a very wonderful woman and she is very experienced in tango and she brought in her musical and feminist point of view to this research week and I hope that next year she will come back…”

“for me the thing about tango and contact is that they have things which are in common but also they have very different qualities, like this floating in CI which can also happen in tango, I know, and the clearness in tango and I think this week gave me so much because I could dive into both and I started to sneak easily from one into the other and these transitions are so so tasty. What is really worth in this research is that it opens us to a rich world of open free dancing, when we have this pause and we can make the fusion… yes, it is very rich…”

“here I very often see community happening also in the dance and I think it happened very much in the ‘not knowing’ place, where you meet and you feel like ..and what we are actually doing and let’s try out something that both of us don’t really know. It is not about looking very beautiful and making the dance as skilful and perfect and whatever as you can but it’s about being curious and showing to each other that you do not know“

“I think the whole week we’ve really grown together, everybody is chipping in and we go into this pool and we just puff! Go for it and together we end and there is a lot of potential. And from here now let’s go and spread it around and let it float all over the world!”

“I am really honoured to be part of this - I am just one of those dancer that you see once a week perhaps and here people have committed themselves to dance for years and to have the chance to work with you, be part of it and to do research… it was a great experience”

“I don’t dance, you know? I have come with no tango, no contact. It is my decision. I said I will be there because it think it’s a great idea. I do not dance but I wanted to be here to help because I believe in it and so I am very happy to have lived these moments and I think that the teachers were very open, generous, and we can talk together like anybody, everybody. If don’t go to the workshop we would not know that they are the teachers, do you see what I mean? … it is very rare.”

“I was really touch by many people, by the dance, the environment also, the small dramas…. But I think there is a very human, quality of humanity here.. so thank you… and I am longing for the next dance tonite!”








Friday, 6 April 2012

KITCHEN & LIVING ROOM

LARGE DANCE STUDIO

LUNCH & DINING SPACE
SMALL STUDIO

PANORAMIC VIEW


NEARBY RIVER

WHERE IS PONDEROSA AND HOW TO GET THERE!?!

Beware! There are two Stolzenhagens in the area of Berlin! We are the one by the Oder river, close to Lunow, 15km south of Angermünde. A tiny village with no train station. Beware!

From Berlin

Hauptbahnhof (central station) or Gesundbrunnen train stations you will take a Regionalbahn or IC-Train direction north to a town called Angermünde. Buy a VBB-Ticket to the destination Lunow, but get off the train in the town of Angermünde! the trainride takes about 50 min.
From Angermünde
Option 1: Regular Bus from Angermünde Number 463 to Stolzenhagen, runs on workdays only at 16:40Option 2: take a "Ruf-Bus-Taxi" to Stolzenhagen (This costs 1€ with a train ticket to Lunow and 3 euro with the ticket just to Angermünde. The Ruf-Bus-Taxi runs weekdays after 17:30, and weekends from 8 in the morning until 10pm.
Option 3. A regular Taxi for more or less 20€
Option 4. A regular Bus to Stolpe and then  a beautiful walk 5km along the canal.

Important!
You have to call at least 5 hours ahead of arrival time (1 day ahead is better) to reserve the Ruf-Bus-Taxi. You can call between 8 am and 6 pm. the taxis run until 9:30 pm. On the weekends you have to call before 1pm.
Tel: 03332 / 44 27 55. They don't speak English!

MAP: http://maps.google.co.uk/maps?q=16248+Stolzenhagen&hl=en&ll=50.625073,9.140625&spn=13.867463,34.40918&sll=53.800651,-4.064941&sspn=12.918331,34.40918&hnear=Stolzenhagen,+Brandenburg,+Germany&t=m&z=5


PONDEROSA DIRECT LINK TO WEBSITE (the hosts):
http://www.ponderosa-dance.de/

CONTACT THE ORGANIZER (Adriana):
adriana@adagioconbrio.co.uk
Mobile in London: 0044  0 7974 619 570 (until 28 July)
Mobile in Germany: 0049 (0) 1628 492 640  (from 29 July)

MORE ON THE ORGANIZER:
http://tangorelease.blogspot.com/
http://www.adagioconbrio.co.uk/

Thursday, 5 April 2012

PROGRAMME 2012


BEWARE: THIS IS NOT A TRADITIONAL TANGO FESTIVAL!! IT IS ALSO NOT A NEO TANGO OR NUEVO TANGO FESTIVAL... INFACT, IT IS NOT A FESTIVAL AT ALL!!  
It's a RESEARCH WEEK!!

-----------------------------------------------------------------------------------------------------------------------------------------------------

TANGO DIFERENTE PONDEROSA SCHEDULE 2012



Special Guest: Meri Lao (Rome)
 
Meri Lao was born in Italy in 1928 and she lived in Uruguay, Argentina, France, Cuba, she now resides in Rome. After a career as a concert pianist, she wrote extensively on Latin-american music and culture. 
Of her six books about tango the most famous is Bompiani’s “Todo tango, cronache di una lunga convivenza” (2004). Both Astor Piazzolla and Umberto Eco praised her knowledge and competence. 
She received numerous awards for her works in theatre, film, radio and music, including Premio Letterario Castilenti (1992), Premio Tenco (2001), Premio  Musica Europa (2007), Premio Enigma-Capri per la Letteratura (2008).

 
She will present her musical didactic monologo for singer-actress “Tango & café con pan” (Tango & coffee and bread), scenes from Federico Fellini’s film “La città delle donne” (City of women, 1980) for which she wrote music and lyrics of the feminist song,  and finally she will teach a yoga class, a discipline she started in 1945 with Krishnamurti!



WORKSHOPS:
QUEER TANGO / TANGO & MINDFULNESS
with Ute Walter (Hamburg)
CONTANGO: tango and contact improvisation
with Tobias Funke (Bremen) and Natasha Russo (Hamburg)
TANGO and THE FELDENKRAIS METHOD
with Sabine Rohde (Copenhagen)
YOGA FOR TANGO DANCERS
with Lydia Müller (Amsterdam):
CONTANGO: tango and contact improvisation
with Gabriele Koch (Wuppertal)
CONTEMPORARY TANGO
with Ezequiel Sanucci and Lydia Müller (Amsterdam):
TANGO CONTACT: tango & contact improvisation
with Edwine Fournier (Paris)
TANGO TOUCH: the art of touch in tango inspired by Zen Shiatsu
with Cornelia Zell (Hamburg)

TANGO inspired by RELEASE based techniques
with Adriana Pegorer (London)

EXTRA WORKSHOPS/ CLASSES:
TANGO FUSION
with Sonja Armisen (Munich)
CONTACTANGO: contact improvisation and tango
with Nata Cat Postscriptum (Moscow)
TANGO & BUTOH: tango organico
with Nancy Lavoie (Quebec)
TANGO & 5 RHYTHMS: connection from the heart
with Enrique van Doezelaar (Nijmegen, Netherlands)
TANGO & CONTACT IMPROVISATION
with Claus Springbord (Copenhagen)
CONTACT IMPROVISATION for tango dancers
with Asaf Bachrac (Paris)
PILATES FOR TANGO DANCERS
with Adriana Pegorer (London)
 
-->
LEVEL: GENERAL

The level of each workshop and class will be largely suggested by the participants and at the teacher’s discretion. Please remember this is a research week in the fusion of tango with other dance forms, techniques, concepts and any of the crossovers presented might be fairly new in one way or another (some people may have more experience in contact improvisation and others in tango, or vice-versa, and so on….). It is part of the experimental approach of the week to explore the inter-connections of different embodiment processes by welcoming any level.... and see what happens in the mix!
(programme subject to change)

 

JOIN TANGO DIFERENTE GROUP ON FACEBOOK:

https://www.facebook.com/groups/324026364276723/

Wednesday, 4 April 2012

TEACHERS 2012



--> Meri Lao (Rome)

Meri Lao was born in Italy in 1928 and she lived in Uruguay, Argentina, France, Cuba, she now resides in Rome. After a career as a concert pianist, she wrote extensively on Latin-american music and culture Of her six books about tango the most famous is Bompiani’s “Todo tango, cronache di una lunga convivenza” (2004). Both Astor Piazzolla and Umberto Eco praised her knowledge and competence. She received numerous awards for her works in theatre, film, radio and music, including Premio Letterario Castilenti (1992), Premio Tenco (2001), Premio  Musica Europa (2007), Premio Enigma-Capri per la Letteratura (2008).

She will present her musical didactic monologo for singer-actress “Tango & café con pan” (Tango & coffee and bread), scenes from Federico Fellini’s film “La città delle donne” (City of women, 1980) for which she wrote music and lyrics of the feminist song,  and finally she will teach a yoga class, a discipline she started in 1945 with Krishnamurti!


________________________
WORKSHOPS:

QUEER TANGO / TANGO & MINDFULNESS
with Ute Walter (Hamburg)

Ute Walter belongs to the first generation of European Tango teachers, gaining experiences from more than 25 years of dancing and teaching. She created the term “queer tango” and is one of the initiators of the worldwide increasing queer tango movement. Ute runs her own School ‘nueva milongueras’ in Hamburg and works internationally (Switzerland, Sweden, Denmark, the Netherlands, Argentina, Usa). The emphasis of her teaching is based on scientific work in the relation to Tango and mindfulness, dialogue and gender. She is qualified and experienced in several methods of mindfulness training.

---------------------------------------------------------
CONTANGO: tango and contact improvisation
with Tobias Funke (Bremen) and Natasha Russo (Hamburg)

Tobias Funke brings together Tango Argentino and Contact Improvisation creating Contango as a passionate dance full of musicality, communication and joy for the moment. Starting Tango and researching for more improvisation in dance he discovered CI as a great source of new possibilities. Together with Markus Hoft and Stephanie Adler he gives a regular Contango training in Bremen since 2008 as well as intense workshops at weekends or festivals. In his lessons Tobias creates the understanding of movements focusing on relaxed, harmonic, easy to dance variations and creative dance inspired by music and moment. He will be teaching with Natasha Russo.
www.2tanz.de 
-----------------------------------------------------------

-->
TANGO AND THE FELDENKRAIS METHOD: the body within the brain

with Sabine Rohde (Copenhagen)


Sabine Rohde has been involved with tango for almost 30 years (dancing both roles and anything in between) working and performing with Pepito Avellaneda, Graciela Gonzalez, Gustavo Naveira and Ezequiel Farfaro among others. She learnt from musicians such as Alfredo Marcucci, Alejandro Sancho, Hugo Diaz and Ciro Perez.

In addition to have experience in Contact Improvisation, Modern dance and Horsemanship/ Ridingtherapy she is also a Qualified Feldenkrais Practitioner and worked with Jerry Karzen, Ruthy Alon and Carl Ginsberg. Her approach investigates neuromuscular patterns, choosing new ways of moving while increasing sensitivity and improving efficiency, working with tools grounded in self-discovery and movement enquiry.

“we will work on the floor and with the floor, dance on hands instead of feet, dance with our fingers and turn our perception up side down … tango trios, group dance,...with fun, love and light.”


-----------------------------------------------------------
YOGA FOR TANGO DANCERS
with Lydia Müller (Amsterdam)

Lydia Müller is a professional dancer and dance teacher. She graduated in Modern Dance and Dance Improvisation at Codarts, Rotterdam (2006) and worked in several companies [De Dansers, Danstheater Adentro, Danstheater VOS, Rob List, Teatro Pavana].
Since 2010 Lydia worked with Ezequiel Sanucci developing a fusion of Contemporary Dance, Contact Improvisation and Tango, teaching and performing with their own Company Tango Danstheater/Ezequiel Sanucci in Latin America, Europe and the Netherlands [Festival Cambalache (Arg), NeoTangoRave (G), Phantastango (G),Tango Greece Festival (GR), Taboe Tango (NL), Contact Tango Amsterdam (NL)].
Lydia is also an Integrale Yoga teacher, where Hatha Yoga and meditation is combined. Her classes are focused on the awareness of the body. The soft physical part of the class with sun salutation, breathing and asanas will end in a meditation.
---------------------------------------------------------
CONTANGO: tango and contact improvisation
with Gabriele Koch (Wuppertal)

Gabriele Koch has been working for 15 years as a free-lance dancer, choreographer and teacher. She begun dancing Tango Argentino in 2003 and started teaching a combination she called Contango in 2006 in her area, Berlin and Moscow.
Her interest is in the communication between the dancers, the qualities of dancing and the depth of physical understanding, as well as the expression on stage.
Gabriele is organizing a week of explorative research in Tango and Contact Improvisation in Wuppertal in September, with 8 international teachers. There will be 2 classes, practicas, Jam-Milongas every day and special events.

------------------------------------
CONTEMPORARY TANGO
with Ezequiel Sanucci and Lydia Müller (Amsterdam)

Ezequiel Sanucci is a professional ballet and contemporary dancer who worked for well known dance companies in Argentina and Europe for over 20 years. He also danced tango with well known tango orchestras such as Sexteto Milonguero and Alfredo Marcucci. Since 2008 he has been researching the fusion of tango with contemporary dance, ballet, contact improvisation, acting, and video. With his own style he has been performing his choreographies and teaching workshops across Europe and Latin America at festivals as Cambalache, Tango Greece, Phantastango, NeoTango Rave, Taboe Tango, among others. His Contemporary Tango style is very physical, technical and playful as well as theatrical and emotional. In 2010 he founded together with Lydia Müller the dance company Tango Danstheater / Ezequiel Sanucci.

  

---------------------------------------------------------------
TANGO CONTACT: tango & contact improvisation
with Edwine Fournier (Paris)
Edwine Fournier created with Sylvie Gueugnon the ‘bal jam’ in 2000, an improvisation space and the expression of a creative duet that finds its source and inspiration in the roots of Argentine tango and Contact Improvisation.
Trained first in theatre, then in tango (with Catherine Berbessou) and Contact Improvisation (with Kirstie Simson, Didier Silhol) she soon became interested in the meeting of these different practices and founded the association Tangible in 2004 creating « Inconsolables mais vivants ! » (2004) « La traversée des faux-plis » (2005), "100% Tortue" (2007), and landscape project (2009-2011)
Edwine received a Diplôme Universitaire in Art and therapy (somato-psycho-pedagogy) in 2008. She’s currently working on small forms of ‘performative and poetic actions’ in different contexts, from museums to galleries and theatres.
---------------------------------------------------------------------------------
TANGO TOUCH: the art of touch in tango inspired by Zen Shiatsu
with Cornelia Zell (Hamburg)

Cornelia Zell is one of the founders of the Tango Experimento project in Lübeck which combines guided classes and open jams and where dancers can explore the connection of tango with contemporary dance and contact improvisation. Her classes develop organically from body and awareness work into dance. Working with inner images, different bodysystems and last but not least different qualities of touch and contact, her main focus is to invite a new and expressive vocabulary, with at the same time great appreciation for traditional tango technique.
Cornelia studied contemporary dance at the School of New Dance Development in Amsterdam, where she also completed a study as Shiatsupractitioner at the School for Zen Shiatsu. She worked as a dancer and performance artist in several international productions and has a teaching experience of 20 years. She has been dancing tango for 15 years and teaches contact improvisation and tango in Lübeck and Hamburg.

-----------------------------------------------------------------------------
TANGO inspired by BODYMINDCENTERING principles
with Brigitta Winkler (New York)

Brigitta Winkler likes tradition and innovation and has been dancing tango for over 30 years. She studied intensively in the early 1980s in Buenos Aires with Eduardo Arquimbau and Antonio Todaro among others and in 1987 she opened her own school ‘Tanzart’ in Berlin, later called Phynixtanzt. She divides her time between New York and Berlin.  She teaches at festivals in the USA, Germany, Italy, and Russia. In her teaching of Tango Brigitta incorporates a four-year program (1991-94) of Body Mind Centering. She is also the co-founder of the internationally acclaimed all women dance company, Tangomujer.
For Brigitta tango is a co-creation with the spark of the moment in a social environment and bewitched by the music.

 
-->

------------------------------------------------------------
TANGO inspired by RELEASE based techniques
with Adriana Pegorer (London)

Adriana Pegorer is an independent dance artist interested in the interweaving of forms, mixing choreography, improvisation, video danza, new technology and installation.
She performed in Marta E. Savigliano's 'Wallflowers and Femme Fatales' at Harvard University in 2007 (US) and presented her own research at various conferences, most recently at the Colloque International 'Tango: Creation, Identification, Circulation' (Paris).
Her main influences in tango are Carlos Gavito and Pablo Veron and in CI Thomas Kampe, KJ Holmes, Rick Nodine and Deborah Hay.  She explored the fusion for over 10 years in both teaching and performance. Tango Release was formed in 2009 with the aim of including release based techniques principles to the fusion.
“the iconoclast dancer of Tango” (Le Figaro, 2004); “an inspired interpretation of Tango” (Critical Dance, 2006); “The collage of Tango and Contact Improvisation is strong” (Josephine Leask, 2006)


________________________________________________________________________________

EXTRA WORKSHOPS/CLASSES:

TANGO FUSION
with Sonja Armisen (Munich)

Sonja Armisén begun dancing Jazz, Flamenco, Afro, Salsa at 13 years old.
She visited Buenos Aires for the first time in 1990 where she took Tango classes with Miguel and Nelly Balmaceda at Salon Canning and was inspired by Graziela Gonzales.
In 1997 she established her own school in Munich teaching the traditional Tango and in 2004 she started to explore and develop different ways to dance and teach Tango, resulting in the TangoFusionClub Dance (a mixture between freestyle and Tango) and started to incorporate contact improvisation 3 years ago. Nowadays TangoFusion has become a mixture between tango movements, contact impulses and freestyle dancing.
Sonja has produced 2 CDs, and has been working as a specialized electronic Tango DJ, teacher and performer around Europe and the US.


---------------------------------------------------------------
CONTACTANGO: contact improvisation and tango
with Nata Cat Postscriptum (Moscow)

"In the last two years all my thoughts and feelings have been revolving around contact improvisation (CI) and tango. When I started CI in 2009, I opened up to a new world: a world that developed the body, movement, awareness, dance and joy. All these are only words but in the background are my own ways in which I try to open to others. For me tango is not a "dance of passion": it's much more!
It's the way one really see=listen=feel=know=be with the other person in the moment of dancing, here and now, like in contact improvisation. So I use the CI approach to explore what there is inside tango and use CI architecture to work with the body. I like to dance tango. I like to dance contact. And I really like to mix them!"

---------------------------------------------
TANGO & BUTOH: tango organico
with Nancy Lavoie (Quebec)
 
-->
Musician, choreographer and performer, I'm teaching tango for 16 years.
I use processed coming from theatre and butoh to enter in resonance with the partner, the music, the environment, and the physical memory ... These exercises will help you to develop better self-presence and body awareness. Develop you instinct, discover the path to transpose the music in your body, in your movement and communicate these sensations to your partner through tango improvisation.


-----------------------------------------------------
-->

TANGO AND 5 RHYTHMS: 'connection from the heart'
Enrique van Doezelaar (Nijmegen, Netherlands)
Enrique was born on  Curaçao  (Netherlands Antilles) in 1962. In 1993 he started African dancing and drumming and had been teaching drumming since 1997. In 2001 he begun dancing five rhythms, a couple of years later cuban salsa and in 2007 started contact improvisation (CI) and tango. He dived deep into the world of tango and CI by dancing and learning as much as possible in workshops and at festivals. In 2010 he founded a contactimpro and contacttango group in Nijmegen.

Enrique is particularly interested in how people can delve into their body awareness and dance from that point. He loves the moment when the dancer becomes the dance and he would likes to share this way of dancing with all of you! In his workshop he starts from the heart connection between two persons (instead of technique) to continues on how to follow the connection and the energy of the dance. In the workshop he will combine tango with elements of five-rhythms; we will dance a tango-wave (flowing, staccato, (soft) chaos, lyrical and stillness).

www.contacttango.nl
-----------------------------------------------------
TANGO & CONTACT IMPROVISATION
with Claus Springbord (Copenhagen)

Claus Springbord started dancing modern in 1995 and tango in 1999. He has, since 2011, worked with merging tango and contact improvisation by breaking both dances into single elements and transferring and expanding these within the context of the other dance. His teaching also focuses on musicality and on movement as playful and embodied research.
Claus is currently doing a PhD on managerial development through art-based methods at Cranfield School of Management. In this work learning, teaching, research and art creation are integrated into one process.

---------------------------------------------------------------------------------
CONTACT IMPROVISATION for tango dancers
with Asaf Bachrach (Paris)

Asaf Bachrach has practiced CI for about 17 years and since 2000 he has taught in Europe, the United States and Buenos Aires. Asaf is a founder of the Collective Contact in Paris and conducts investigations in cognitive neuroscience of language and dance.
He has started tango in 2008 and worked with Albano Goldenberg in Buenos Aires exploring the relation between tango & CI. He currently lives in Paris, where he conducts investigations in cognitive neuroscience of language and dance.

In the class we will focus on the spiral pathway in our body, from the feet to the hands, and will investigate the movement potential it offers drawing from concepts in the work of Steve Paxton (Contact Improvisation, Materials for the Spine) and Hubert Godard (Rolfing, somatic phenomenology). A second theme will be touch and its reflexive nature.